News Story

After charming Oxford audiences with their adaptation of Tortoise and the Hare last year, Northern Ballet is returning to Oxford Playhouse with their latest children’s ballet Hansel & Gretel.

The company, known for creating shows that are considered a perfect introduction to ballet and music, bring an enchanting reimagination of the classic children’s tale. With bold sets, bright costumes and brilliant live music and dance, join Hansel and Gretel on a colourful adventure through the woods.

In this version of the Brothers Grimm fairy tale, the siblings reflect on the damage they leave behind along their journey. When they inevitably get lost in the woods, Hansel and Gretel meet a host of spirited friends who teach them how we can all better look after the planet.

Ahead of their performances at The Playhouse on Friday 7 and Saturday 8 March, we caught up with co-creators of Hansel & Gretel, Harris Beattie and George Liang, to find out more about the making of this exciting new ballet for children and families.

Andrew Tomlinson in Northern Ballet's Hansel & Gretel

Credit: Emily Nuttall
Is this your first time choreographing a ballet specifically for children?

Yes! This is our first time choreographing a ballet specifically for children.

What motivated you to reimagine this classic story with an environmental theme?

We wanted to highlight the importance of caring for our planet in a way that resonates with children and families. Reimagining Hansel & Gretel through an environmental lens felt like a meaningful way to connect a timeless story with modern values.

Have you performed in children’s ballets in the past? What did you enjoy most about it?

Yes, both of us have performed in several of our children’s ballets over the years. What we’ve enjoyed most is the connection we’ve shared with young audiences. Their joy and wonder create such a special energy that’s unlike anything else.

Gemma Coutts in Northern Ballet's Hansel & Gretel

Credit: Emily Nuttall
What’s it been like to choreograph a children’s ballet, rather than perform in one?

It’s been wonderful to step into the creative process on the other side. Creating this brand-new production has been an exciting and rewarding challenge, allowing us to bring a fresh perspective to the story.

Can you tell us a bit about the sets and costumes?

In our version of Hansel & Gretel, we’ve collaborated with the incredible Ali Allen and our talented Northern Ballet technical team based in Bramley. The set features a brilliantly designed couch that transforms into twin beds and the lady of wood’s cottage, bringing magic to life on stage. Also, keep an eye out for our “Rubbish Monster” costume, which is made entirely from recycled bottles and cans—a fun nod to the ballet’s environmental theme!

What are you most excited for families to see on stage?

We’re most excited for families to meet all the characters and experience the theatrical magic we’ve created. It’s a joyful, imaginative production that we hope will inspire and delight audiences of all ages.

Northern Ballet dancers in Hansel & Gretel | Fri 7 – Sat 8 Mar

Credit: Emily Nuttall