Producing Company: Out of Joint and the Lyric Hammersmith

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Further Information

Schools Workshop: Wednesday 20 October: 12.30 to 2.30pm in the auditorium, with Max Stafford-Clark - Tickets £8

Spotlight: Wednesday 20 & Thursday 21 October

Audio described performance: Saturday 23 October at 2.30pm Touch tour: at 1pm

Director Max Stafford-Clark
Designer Tim Shortall
Lighting Jason Taylor
Designer Nick Manning

Cast Rory Keenan, Youssef Kerkour, Finbar Lynch, Claire Rafferty, David Ricardo-Pearce, Fred Ridgeway and Stephanie Street

Competition

Win a pair of tickets to see The Big Fellah on Tuesday 19 October at 7.30pm

In 2009, Oxford Playhouse produced which play written by Richard Bean?


Simply email the correct answer by 12/10/2010 The winner will be drawn on 13/10/2010. Prizes cannot be exchanged for tickets already purchased.

The Big Fellah

By Richard Bean

A boisterous and witty story of loyalty, disillusionment and betrayal.

Young New York fireman Michael Doyle decides to embrace his Irish heritage and join the IRA. He's recruited by Costello, the charismatic "Big Fellah", who wants to use Doyle's brownstone apartment in The Bronx as a safe house for an escaped killer. But it soon becomes clear that someone is leaking information to the FBI...

Set among Irish Americans in New York, Richard Bean's dark, glinting, funny play spans three turbulent decades.

Richard Bean's plays include Harvest (Critics' Circle Awards: Best Play and produced by Oxford Playhouse 2009), Honeymoon Suite, The English Game (Oxford Playhouse 2008) and most recently Olivier-nominated comedy England People Very Nice for the National Theatre.

Out of Joint is the acclaimed touring company dedicated to the sharpest new writing, founded and directed by Max Stafford-Clark. This is the company's first collaboration with the Lyric Hammersmith who entertained Playhouse audiences earlier this year with Three Sisters and who return later this season with Punk Rock.

You expect something special from Out of Joint. Times

OPINION

If you saw our production of Harvest, you'll know how good a writer Richard Bean is. He creates brilliant characters, great dialogue and compelling plots. I've read this play and it's no exception.

Michelle Dickson's signature

Venue: Main Stage  |  Category: Drama

Date Time Booking Price Extra
Tue 19/10 19:30 Book Tickets £22.50 / £19.50 / £15.50

Post-Show Talk

Enjoy! 50%

Wed 20/10 19:30 Book Tickets £22.50 / £19.50 / £15.50
Thu 21/10 14:30 Book Tickets £20 / £17 / £11.50

Captioning

Thu 21/10 19:30 Book Tickets £24.50 / £21.50 / £17.50
Fri 22/10 20:00 Book Tickets £24.50 / £21.50 / £17.50
Sat 23/10 14:30 Book Tickets £22.50 / £19.50 / £15.50

Audio Described

Sat 23/10 19:30 Book Tickets £24.50 / £21.50 / £17.50




Enjoy!

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  • Half price tickets for two people to many shows
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  • Special offers and invitations from local arts

Please contact the Box Office on 01865 305305 for more details and to purchase.

Audio Description

Audio description is a service for people with visual impairments. It is a live verbal commentary delivered during a performance, capturing the key visual elements such as actions and movements, gestures and facial expressions, sets, props and costumes. The description is relayed to the audience member through a lightweight headset which is supplied by the venue.

Touch Tours

At some performances a touch tour will be available before a performance. This means that before the performance the describer will visit the set with the service users, describe elements of the design and encourage them to touch surfaces, costumes and props so that they can understand the geography and nuances of the performance. Please phone Box Office to book free tickets for the touch tours.

Captioning

Is a service for people with hearing impairments of all kinds. The captioner uses a special stage text software. They convert the spoken word into text, which is displayed on a caption unit situated on or next to the stage. As the words are spoken or sung the captioner sends the specially formatted script to the display unit.

As well as dialogue, the captions also include the name of the character who is speaking or singing and descriptions of any sound effects. The difference between this and surtitling (for performances in another language) is that it is essential that all of the audible elements of the performance are communicated and the aim is that it be done with the same pace and style as the performances given as part of the production as a whole.

Captioning is also a useful tools for audience members who speak or are learning English as a second language.

'The captions helped me to understand some of the accents and was good practice for my reading skills'
Italian audience member

Pre-Show Talk

Talks are usually held roughly 1 hr before the performance (please check for exact times) in the Top room at Oxford Playhouse. They are commonly given by one or more members of the creative team involved in a production (Director, Writer, Designer) or by an expert in a related field or in the work of that company itself. The event is £2 to a ticket holder for the performance but it is best to book in advance as there are only 65 seats available by calling 01865 305305. Please note the Top Room is not accessible to wheelchair users.


Post-Show Talk

This is a chance for you to share your thoughts about a production and ask any questions that you may have. Moreover it is an opportunity for you to get more out of your visit from the playhouse, for free. We hold a post show talk for most of out week long shows, usually on a Wednesday.

The talk will be led by a member of the Oxford Playhouse Learning Team and some or all of the cast. Sometimes the director is also available. A few questions will be asked on stage and then it's your turn - all questions welcome.


BSL Signed Perfomance

This service is for Deaf or deafened people with at least an intermediate level of British Sign Language. During a BSL signed performance a trained performance signer will be placed somewhere on the stage to the left or right of the bulk of the action. The Signer will interpret the spoken work and essentially translate it into BSL.

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